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Opera

J. Hoffenbach, Les contes d'Hoffmann: Couplets bachiques

Mélisande

3:08	Est. Play Time
69	Measures
	1,180Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	37	8	7	100%
	31	43	8	3	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	37	8	7	100%
	31	43	8	3	100%
Hoffmann	14	0	3	6	75%
B	10	2	1	3	25%
T	11	10	2	3	25%
S	11	5	1	3	24%

Flight_of_the_Bumble-Bee

Nevin Williams

1:15	Est. Play Time
103	Measures
	1,477Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	21	19	7	3	89%
Violin	33	1	13	3	86%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	21	19	7	3	89%
Violin	33	1	13	3	86%
	26	4	11	3	81%
Violoncello	19	9	6	3	75%
Flute	31	20	14	3	72%
A Clarinet	18	6	7	2	24%
	27	9	11	2	60%
Bassoon	20	26	6	3	50%
Contrabass	14	0	3	2	48%
Horn in F	1	0	0	1	1%
	9	7	1	3	29%
Oboe	8	5	0	3	18%
English Horn	4	0	1	2	6%
B♭ Bass Trumpet	2	1	1	1	1%
Timpani	1	0	0	1	1%
Trombone	2	1	0	1	1%
Tuba	2	1	0	1	1%

HWV5A2N11 - "Mà Rodrigo"

edward.maurath

0:52	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rodrigo	11	0	2	3	94%
Lute (Continuo)	9	10	2	1	88%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rodrigo	11	0	2	3	94%
Lute (Continuo)	9	10	2	1	88%
	18	17	4	3	88%
Violoncello (Continuo)	9	0	2	3	88%
Cembalo (Continuo)	3	0	0	1	31%
	15	9	2	3	44%

Verdi, Rigoletto: Act 2 - Parmi veder le lagrime

Mélisande

4:35	Est. Play Time
88	Measures
	2,392Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violons	23	12	8	8	89%
	35	12	15	10	89%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violons	23	12	8	8	89%
	35	12	15	10	89%
Altos, Violas	22	15	9	8	89%
Contrebasses	21	0	10	9	89%
Violoncelles	21	0	10	9	89%
Duc	19	0	9	15	70%
Hautbois	14	3	3	6	22%
Basson	12	9	2	5	18%
Clarinette Basse	11	2	2	6	18%
Flûte	7	0	1	6	5%

Золотой петушок

Ivan P

4:08	Est. Play Time
80	Measures
	2,282Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
V. Celli	34	1	20	8	87%
Violini I	35	3	22	7	82%
View all 28 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
V. Celli	34	1	20	8	87%
Violini I	35	3	22	7	82%
C.-Bassi	19	1	9	7	80%
2 Fagotti	31	0	17	8	75%
Viole	27	10	12	8	72%
Violini II	29	7	15	7	71%
2 Oboi	26	0	16	8	60%
2 Flauti	32	0	22	9	56%
2 Clarinetti in B	37	0	15	8	49%
2 Arpe	36	9	21	6	43%
	27	9	15	6	22%
4 Corni in F	16	0	3	5	28%
	19	0	6	5	41%
Corno Inglese	18	0	10	5	30%
2 Trombe in C	16	0	3	5	29%
Flauto piccolo	20	0	14	6	23%
Contrafagotto	8	0	3	5	22%
Звездочёт	16	0	6	5	22%
2 Clarinetti in A	34	0	20	8	21%
Timpani	2	0	0	3	20%
3 Tromboni	6	0	1	2	4%
	9	0	0	3	19%
Campanelli	13	0	5	1	14%
Clarinetto-basso in A	11	0	4	4	14%
Clarinetto-basso in B	7	0	2	3	8%
Celeste	16	12	7	1	4%
	12	8	5	1	4%
Tuba	6	0	1	3	3%

Lakmé. Acte 1, scène 1

FranckM.

5:49	Est. Play Time
136	Measures
	1,469Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	81	17	7	92%
	38	65	20	8	96%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	81	17	7	92%
	38	65	20	8	96%
Ténors	19	8	2	7	40%
Sopranos	13	12	2	6	39%
Basses	13	4	1	7	34%
NILAKANTHA	15	0	6	8	30%
LAKME	12	0	2	9	23%

Presto, presto, pria ch’ei venga. Don Giovanni

FranckM.

4:45	Est. Play Time
172	Measures
	1,586Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	33	76	12	11	100%
	24	47	5	9	99%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	33	76	12	11	100%
	24	47	5	9	99%
M.	23	10	3	7	49%
G.	11	0	2	7	46%
Z.	13	0	4	6	45%

The Barber of Seville Overture

mike320

7:30	Est. Play Time
265	Measures
	5,916Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	26	35	12	9	97%
Violoncellos	23	0	10	9	93%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	26	35	12	9	97%
Violoncellos	23	0	10	9	93%
Violins II	33	45	14	11	93%
Contrabasses	33	0	11	9	91%
Violins I	34	25	15	13	88%
Flutes	25	0	7	11	66%
Bassoons	23	19	9	9	60%
Oboes	24	40	10	9	56%
Flute	21	0	9	10	50%
Horn in E	13	7	3	9	45%
C Clarinet	24	30	8	10	41%
Timpani	5	0	1	5	35%
A Trumpet	7	6	0	6	35%
Trombone	17	0	4	5	25%
A Clarinet	19	24	5	10	25%
Horn in G	14	4	2	5	16%

HWV8A1N4 - "Son di Mirtillo!" recitativo secco

edward.maurath

1:47	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	12	0	4	4	100%
Amarilli	14	0	4	5	68%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	12	0	4	4	100%
Amarilli	14	0	4	5	68%
Mirtillo	10	0	3	3	50%
Hpsi	14	17	4	2	46%
	9	5	2	4	46%
Harp	14	12	4	1	43%
	12	10	3	2	43%
Theorbo	12	6	5	2	21%
Lute	13	10	4	3	18%

Richard Wagner - ENDE.zu.GOTTERDAMMERUNG in Full score. {Unfinished.}

Jamie Holdham

6:13	Est. Play Time
185	Measures
	8,121Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	34	23	30	13	96%
Violas	34	22	30	13	92%
View all 40 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	34	23	30	13	96%
Violas	34	22	30	13	92%
Violoncelle.	38	0	31	14	89%
Violoncellos	38	0	31	13	89%
Violins	35	29	29	13	89%
Violinen.	42	6	34	13	78%
Horn in F	25	20	23	12	71%
Horner.	23	21	19	12	69%
Oboe	22	1	19	12	59%
	26	4	16	12	68%
Hoboen.	24	0	16	12	67%
Clarinetten. (B)	30	1	20	12	56%
Contrabasse.	27	0	18	9	55%
B♭ Clarinet	31	0	24	12	51%
	26	22	17	12	53%
Bassoon	22	1	16	9	50%
	28	0	18	13	47%
Fagotte.	22	0	15	10	50%
4 Posaunen.	22	6	12	10	47%
Tenor Trombone	22	14	12	11	44%
Flute	12	0	8	10	27%
	22	4	15	12	42%
Trompetten.	18	0	14	10	37%
Floten.	17	4	12	11	37%
Englishes Horn.	17	0	11	11	36%
C Trumpet	21	0	14	9	31%
	15	0	11	10	20%
Pauken.	10	0	5	5	30%
Bass Trompetten.	12	0	9	7	26%
6 Harfen.	28	9	14	7	23%
	25	13	13	6	24%
Trombone	19	1	10	11	23%
Harp	26	12	12	6	21%
	26	13	13	6	22%
Contrabass Tuben.	19	0	10	6	20%
4 Tuben.	12	1	8	6	19%
Timpani	7	0	4	6	19%
Kleinen Floten.	20	0	11	8	18%
Tuba	22	4	9	6	16%
Bass Clarinetten.	24	0	13	8	14%

I Lombardi, Preludio ed Introduzione (coro: Oh nobile esempio!)

Voorburgs Operakoor

4:47	Est. Play Time
281	Measures
	2,441Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	39	99	14	8	98%
	36	77	14	8	97%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	39	99	14	8	98%
	36	77	14	8	97%
T	18	17	6	7	67%
B	18	8	6	7	63%
S	10	8	3	5	24%
A	15	8	5	5	20%

HWV5A3N21 - "Signore, poich'è lo sdegno"

edward.maurath

1:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
	16	11	6	4	52%
Florinda	11	0	0	4	52%
Cembalo (Continuo)	9	10	0	3	48%
	12	10	1	4	50%
Evaneo	9	0	2	4	48%

huguenots437

BossRC202

2:53	Est. Play Time
71	Measures
	1,392Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	0	4	9	86%
	13	4	4	9	83%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	0	4	9	86%
	13	4	4	9	83%
	12	17	3	6	37%
	12	6	2	7	74%
	16	5	1	7	86%
	19	15	8	8	97%
	13	7	2	5	31%

Richard Wagner - ENDE.zu.PARSIFAL in Full score.

Jamie Holdham

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Viol.	19	6	4	8	100%
II.	20	5	7	11	100%
View all 25 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Viol.	19	6	4	8	100%
II.	20	5	7	11	100%
Br. (get)	22	6	8	11	91%
Violas	21	6	7	11	91%
Vcl.	18	4	4	12	77%
III. IV.	12	12	5	7	59%
K.B.	10	0	1	7	55%
I.	11	0	2	6	41%
	12	0	2	7	50%
I. Klar. in B.	10	0	0	7	45%
III.	6	0	1	6	27%
	10	0	1	7	41%
	2	0	1	2	14%
	10	0	1	7	36%
Fl. II.	9	0	1	7	41%
I.II. Pos.	13	14	0	7	36%
I.II. Fag.	7	2	3	5	32%
II. III.	8	0	5	5	32%
I. II. Horn in F.	9	12	3	6	27%
II.III.	9	9	2	6	27%
Althob.	7	0	1	6	27%
Hob. II.	6	0	0	6	27%
Bab-Tb.	2	0	0	4	23%
I. Trp. in F.	4	3	0	1	9%
Pk.	1	0	0	1	9%

Boris Godunov Act IV Scene II

d-klenin

2:32	Est. Play Time
76	Measures
	1,661Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F	24	28	6	7	70%
	19	29	7	6	74%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F	24	28	6	7	70%
	19	29	7	6	74%
Violinen	23	4	8	8	67%
	28	1	11	7	67%
Violas	24	17	10	7	64%
Violoncellos	22	5	8	8	62%
B Klarinette	27	24	9	6	61%
	25	4	10	4	58%
C Tuba	20	16	9	5	60%
Fagott	29	25	12	6	60%
Kontrabasse	18	0	6	8	58%
Bass	19	12	6	7	57%
Oboe	22	13	9	7	52%
Posaune	16	19	5	5	49%
Tenor	17	11	6	5	49%
Trompete in F	13	1	5	5	47%
B Trompete	19	18	8	5	46%
Flöte	17	0	7	4	42%
	15	7	8	5	34%
Pauke	3	0	0	5	33%

Aida, Atto II: Gran finale secondo (coro: Gloria all’Egitto / Triomfmars)

Voorburgs Operakoor

8:49	Est. Play Time
267	Measures
	4,091Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	42	112	20	10	97%
	42	102	19	9	98%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	42	112	20	10	97%
	42	102	19	9	98%
S	22	0	8	10	36%
T	12	0	3	8	12%
	21	8	7	10	31%
B	16	0	6	8	13%
	17	3	6	10	30%
A	19	0	6	10	30%
T 2	17	0	7	9	14%
B 2	18	0	7	8	13%
T 1	18	0	6	8	11%
B 1	16	0	7	9	11%
A 1	9	0	2	7	6%
A 2	9	0	1	7	6%